(L to R) Alex Paredes bass, Craig Conley keys, Cole Humphrey guitar, Dustin Russell drums, Kelly Wayne Conley guitar/vox,
Owen-Glass was always meant to strictly be a recording project–that is, no live shows were expected to take place. Songs were written by Kelly Wayne Conley as a solo project, and he enrolled David Beck to produce the record, so the music would be well-served by the quality of the recording. The studio was filled with hand-selected collaborators to capture the best version of each song possible in just a few days [the bulk of The Rope & the Rabbit was tracked in only 4 days]. And, aside from some finishing touches and an online release of the record, that was expected to be the end of it.
But then, something unexpected happened: the album enjoyed a warm reception from the music media, music nerds from every end of the spectrum, and from other musicians looking to add a spark to the burgeoning project.
Now a full-blown professional band, Owen-Glass offers mind-blowing psychedelic live performances as they gin up their sophomore album with fresh, dedicated talent.
Be sure to follow along on your preferred social media platform for show announcements.
Current Lineup
Kelly Wayne Conley- Guitar, Vocals
Cole Humphrey- Guitar, Vocals
Alex Paredes- Bass, Vocals
Dustin Russell- Drums
Craig Conley- Keys, Vocals
Eric Ostberg- Violin
Anthony Earl- Saxophone
Album Credits
Kelly Wayne Conley-Guitar, Vocals
David Beck-Bass, Vocals
Dees Stribling-Drums, Percussion
Cole Humphrey-Guitar
Craig Conley-Keys
Eric Ostberg-Violin, Mandolin
Anthony Earl-Saxophone
Produced, Recorded, and Engineered by David Beck at The Woodshed in San Marcos, TX. Bronson Armijo, Assistant Engineer. Mixing by James Campbell, David Beck and Kelly Wayne Conley at Cibolo Studios in San Antonio, TX. Mastering by Evan Bradford at MixtownUSA in Los Angeles, CA.
All songs written by Kelly Wayne Conley.
Additional vocals by Donna Conley and Stacy Caldwell.
Additional instrumentation by David Beck: accordion, harmonica, trumpet, trombone, piano.
Special thanks to TJ Fleming and Kyle Monty